04/19/16

The New Guidelines for Judging Rose Photography: Breaking It Down I

The New Guidelines for Judging Rose Photography: Breaking It Down I

For readers at both of my blogs, I apologize for the repetition, but I want to get this information out as much as possible at the start of the 2016 rose show season.

Since September 2015 the ARS has had national Guidelines for Judging Rose Photography. Although I am writing this series to help make the transition from the old and outdated PSWD Guidelines easier for those who are used to using them, if others find this useful, so much the better.

Starting at the beginning, National Chairman Curtis Aumiller states

This first edition is not meant to be an ending point, but rather a starting point for those who judge rose photographs. The standards agreed upon in this manual will grow and evolve in future manuals, just as our roses grow and evolve over time. This manual is meant as a way to find common ground when judging photography of roses for those who already judge roses for horticulture or arrangements. As with the other guidelines, the most important aspect to any judging is to enjoy the beauty of the roses displayed while fairly applying
standards to all exhibits. This book will help the seasoned rose judge, the student judge, the apprentice judge, and most of all, the exhibitor to frame the beauty of America’s flower!

Like the Guidelines for Judging Horticulture and Judging Arrangements, these guidelines are for exhibitors of rose photographs in shows that give ARS awards, and for judges who “already judge roses for horticulture or arrangements.” This, of course, is not surprising to anyone who has done the work to become an accredited judge. The people to judge rose photographs are the people who have prepared themselves to judge roses in rose shows. That was always the intent under my chairmanship in the PSWD, strongly supported by Bruce Monroe who at that time was the National Chairman of Horticulture Judges. My last official act as PSWD photography chair was in June 2012, when I organized a day long seminar and workshop on judging rose photography, taught by myself, Sally Long, and photographer Pat Berrett. Because Bruce Monroe so strongly supported photography in our shows, horticulture judges who attended were given four hours of credit, which is what they needed for that cycle of accreditation. Additionally, Arrangement judges received two hours of credit.

The 40 available spaces for that seminar filled fast. The day was a lot of fun, people felt they learned a lot, and left excited about the possibilities for photography in our shows. Click here for a few images from that seminar.

Photography in the PSWD took a sharp turn with a new district director and photography chairman, but Sally Long, the third PSWD photography chairman is working to revive the interest in rose photography present in that district at the end of my tenure.

The challenge for photography at the National level now that official Guidelines have been adopted will be to provide educational programs for both exhibitors and judges on their use. This can be done in a variety of ways. I do believe one important component will be the addition of a segment on judging rose photographs to Horticulture and Arrangement judging schools and seminars. At the present time the ARS has no plans for separate accreditation of Photography judges, so it becomes especially important that our judges are presented with opportunities to learn some of the specifics of the new ARS Guidelines for Judging Rose Photography. They will certainly be called upon to judge rose photographs in our shows.

RESPECTING INTELLECTUAL PROPERTY

Chapter 2 in the new Guidelines is “Intellectual Property.” This was definitely a needed addition, and in the past few months I have been reminded just how needed this new chapter is. It may surprise some of you who know me when I say I had nothing to do with this chapter. It appeared one day in the Committee’s discussions, and I was delighted! From Chapter 2 of the ARS Guidelines:

All photographs entered into an ARS show, from local shows to national shows, are the property
of the photographer and are protected as intellectual property…The information about intellectual property
should be in the show schedule; however, failure to include this information in the schedule does not negate
the legal precedence, and the show must still follow this rule…

The following should be included in any schedule for photography:
All rights to the submitted photographs are retained by the owners of the photographs. However, by submitting
a photograph to the contest, the exhibitor (1) warrants that he or she owns the copyright of the submitted
photograph and is not legally prohibited from submitting it to the contest, and (2) agrees to allow the
[name of the rose society sponsoring the show] to display the photo at the [name of the show] show [optionally
time and place of the show], [if applicable] and publish the photograph in [name of newsletter or newsletters,
optionally specify the issue].

The chapter on Intellectual Property is a new addition, a much needed one. Any questions may be directed to ARS Photography Chairman, Curtis Aumiller.

That is enough to both write and absorb for one day. Stay tuned for Breaking It Down Part II at a later time. If you have read this far, thank you for your interest.

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04/18/16

Toss Those PSWD Guidelines for Judging Rose Photography

Rose Photography Has New Guidelines, The ARS Guidelines for Judging Rose Photography

When the Board of the American Rose Society (ARS) approved the new Guidelines for Judging Rose Photography in Syracuse in September 2015, the PSWD Guidelines became obsolete. When I wrote the PSWD Guidelines, with considerable input from Sally Long, the goal was to ultimately have standardized, national guidelines. The new guidelines, written by the ARS Photography Committee, chaired by Curtis Aumiller, have been officially approved and replace everything that came before. This will not be an issue for Districts that have never had guidelines for photography, but it could be confusing for anyone who continues to use the now-outdated PSWD Guidelines. They are as outdated as rotary phones and party lines in this era of cell phones.

Some people are confused by the fact the ARS guidelines were approved as “temporary” and think that means “optional.” The Committee requested temporary approval so that the guidelines could be used and feedback obtained about changes people would like to see. A show committee never has to use ARS rules unless ARS awards are going to be given. This includes even the little ribbons for 1st-4th places. Show committees are used to this when writing schedules for Horticulture and Arrangements. Now the new Guidelines for Photography need to be followed in the same manner if ARS awards are to be given. ARS members may download the Guidelines here.

If your District has now appointed a District Chairman for Photography, feel free to address your photography schedule questions to that person, as well as to the ARS Photography Chairman, Curtis Aumiller (caumiller[at]yahoo.com). The current PSWD Chairman of Photography is Sally Long. If your District does not have a Photography Chairman, Curtis Aumiller and the ARS Photography Committee are ready to assist you with your schedule and other questions.

A transition from one set of guidelines to the new ARS guidelines will not be a problem for people who have never had guidelines. The PSWD Guidelines are ubiquitous in that district, and are found elsewhere when people have seen what was done here. It is for people who have used the old guidelines and know them well that I am doing a series, of which this is the first post, that explains what is the same, what is different, what is new.

The Score Card in the ARS Guidelines is unchanged. 🙂

Subsequent posts will address some new additions and some very important changes that judges and exhibitors alike need to know. Stay tuned.

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04/18/16

The New ARS Guidelines for Judging Rose Photography

Judging Rose Photography: Understanding the New ARS Guidelines

judging rose photography

Decorative Miniature Rose, ‘Cinnamon Delight’

In September 2015 the new ARS Guidelines for Judging Photography were approved and adopted by the ARS Board at the Fall Convention. These are now the Guidelines to be used for judging rose photography in shows that wish to give ARS awards. Those of you familiar with the PSWD Guidelines for Judging Rose Photography will recognize parts in the new ARS Guidelines, such as the Score Card, which is virtually unchanged. However, there are both subtle and major changes in the new ARS Guidelines, as well as additions.

I am doing a series, “Understanding the New ARS Guidelines for Judging Rose Photography” especially for those of you who know and have been using the PSWD Guidelines. For those of you who read here and at my photography website, Susan Brandt Graham Photography, you will notice the series repeats. I very much appreciate those of you who read at both sites, and the content is generally different. However, I think it is important that the new guidelines, and how they differ from and where they are the same as, the now-obsolete PSWD Guidelines, be understood by judges and all potential exhibitors. For those of you who read both places, I hope you will excuse the redundancy.

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04/11/16

Preparing Photos for Rose Shows

Preparing Photos for Rose Shows – Mounting and Matting

Preparing photos for rose shows is something people have a lot of questions about, not the least of which are cost and difficulty. As the rose show season swings into full gear, here is a how-to guide to mount and mat your 8×10 rose photographs using 11×14 backing board and mat, the usual specifications today for photography in many rose shows.

preparing photos for rose shows

Mounted and Matted for Rose Show – Gemini

This handy guide is available in e-book format at Amazon.

These are the sets of mats and backing boards I currently use for preparing my images for rose shows, and are what I recommend in the guide. They are the least expensive I have found anywhere, and they work.

More links for mounting and matting materials that meet specifications for photographs in rose shows can be found in my Amazon Associates Store. I earn from Amazon a very few cents on purchases made through links on this site.

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08/19/15

Green Rose

Green Rose, a Hybrid China

Green Rose really is a rose. It is a sport, or a mutation, made up of sepals. Its official American Rose Society color is “white,” something of a trick question on some of the practical exams to become an ARS Accredited Horticulture Judge. I have never seen this white part, but it doesn’t matter. I enjoy having this rose in my garden.

green rose

Green Rose, a China rose, discovery in US dated circa 1827

Not only is it interesting just to look at, but rose arrangers find it useful as line material in rose arrangements.

In a previous post I mentioned the discussion among friends regarding editing of images, and the use of jpg versus raw files. Here I would like to briefly mention composition. Rule of Thirds can be a very useful composition guideline in floral photography. Those of you who read here frequently know that it is a guideline I use in a wide variety of my photography. When photographing rose sprays, however, my personal preference for my own photography is symmetry and balance. I like to show the structure of the spray, and tend to photograph sprays from that perspective, rather than from the top down. To my eye, symmetry and balance is a good way to show both the structure and beauty of rose sprays, at least in many instances. This image of the Green Rose uses symmetry and balance.

Another example is my image of Dream Weaver:

Spray of Rose Dream Weaver

Spray of rose, ‘Dream Weaver.’ Image awarded ‘Queen’ (Photography) at the ARS Fall 2014 National Convention.

Green Rose, one of the unique roses in the roses in the rose world.

Happy World Photography Day! #worldphotoday

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07/3/15

Gemini, A Great Hybrid Tea Rose for the High Desert

Gemini, A Great Hybrid Tea Rose for the High Desert

Gemini is probably my favorite hybrid tea rose to grow here in the high desert of the Southwest, Albuquerque. As beautiful as it is, it is equally tough. It tolerates the summer heat. Mine was not damaged by the extreme cold of February of 2011. The colors are wonderful. The form is close to perfect in almost every bloom.

Gemini rose

Hybrid Tea Rose, Gemini

Gemini rose

Gemini, a Hybrid Tea Rose

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06/17/15
mermaid rose

Mermaid, A Beautiful Old Garden Rose

Mermaid, A Beautiful Old Garden Rose

Mermaid is a beautiful old garden rose (Hybrid bracteata 1918) that long time readers here know well. In May of 2006 it was reaching its peak after having been planted several years before. It took Best of Show at the Spring 2006 Albuquerque Rose Show, along with the ARS Victorian Award for Old Garden Roses with unknown date of introduction or introduced in or after 1867. Who could have imagined what December of 2006 would bring?

Mid December of 2006 brought an 8 inch snowfall to my house. It was heavy and wet, and pulled Mermaid and its trellis a little away from the wall. But I was sick at the time, thought there wouldn’t be more snow at least for a while, and I could repair things when I felt better. Big mistake!

A week later or so I got an unheard-of-for-here 22 inch snowfall at my house! The melting and refreezing, melting and refreezing added more weight, and in the middle of one night with a noise loud enough to awaken me at the other end of the house, Mermaid and trellis came crashing down across the patio. It took me weeks to get that mess cleaned up to the point I could walk out into the rest of the yard. To do it, I had to cut everything, including the clematis that had been growing with Mermaid, off at ground level. I thought everything was gone.

Imagine my joy at finding tiny basal breaks later in the spring of 2007! Mermaid did not grow a lot in 2007, but the companion clematis came back more rapidly. 2008 was even better. By 2009, things were looking very good. At the Spring 2010 Albuquerque Rose Show, Mermaid once again won the ARS Victorian Award along with Best of Show.

The 2014-2015 winter in Albuquerque was quite mild. Mermaid’s spring bloom this year was probably the best I have seen since the 2006 damage. Once again, at the Spring 2015 Albuquerque Rose Show, Mermaid took Best of Show (5 matched sprays in the entry in “Exhibitor’s Dream”) along with the ARS Victorian Award. This is a rose you will not see often in rose shows, because it is an “eight-hour wonder!” It opens in the morning, and drops its petals by evening. But, it is gorgeous during that time!

mermaid rose

Mermaid, Best of Show 2015, at placement during entry before judging

These are images from this year’s spring bloom:

mermaid rose

Old Garden Rose, Mermaid

mermaid rose

Old Garden Rose, Mermaid

mermaid rose

Old Garden Rose, Mermaid

Mermaid – one of my favorite roses, and back to being a focal point in the garden of my small Albuquerque yard.

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05/26/15
the dr huey tour

Dr Huey Tour

The Second Annual Corrales Rose Society Dr Huey Tour, May 25, 2015

The Second Annual Corrales Rose Society Dr Huey Tour was, once again, a memorable event. The abundance of the rose, the Hybrid wichurana, Dr. Huey, used as rootstock for many grafted roses here in Desert Southwest, is a cautionary tale about microclimates, winter protection, and maybe just letting grow what survives well in a given spot.

Tim Price has explained this in detail with his photos of Dr. Huey from this year’s tour. Please visit Tim’s blog to read in depth about this year’s tour and see his images of Dr. Huey. (My discussion and images from the 2014 tour are here.) Tim has done such a thorough job of showing and explaining the significance of the abundance of Dr. Huey bushes in Corrales, in this post I am going to show a few highlights from the tour itself.

The rose highlight of the 2014 Dr. Huey Tour for me was seeing a Dr. Huey specimen 20 feet tall and 20 feet wide. The rose highlight of the 2015 tour for me was seeing this specimen of Rosa multiflora, a species rose. I had never seen one before, and had never really thought about seeing one. In fact, I was so taken aback that I did not have the presence of mind to ask if I could take a cutting. I’ll ask the next time I visit. Isn’t it a beautiful rose, even though a bit past its prime in this image (as it was in all the images from yesterday):

dr huey tour

Rosa multiflora, a species rose

This is a close-up of a Dr. Huey bloom from the tour:

dr huey tour

Dr. Huey, a Hybrid wichurana

Tim and Laurie have a large, beautiful bush of Dr. Huey on their land:

dr huey tour

Laurie with Dr. Huey

Seeing all the Dr. Huey examples in the Village of Corrales is the goal of the Dr. Huey Tour. But there is so much fun in the process of doing that, I’m already looking forward to the Third Annual Corrales Rose Society Dr. Huey Tour a year from now!

Tim, the photographer, and Laurie, the artist, stopped along Corrales Road, the main street of Corrales. documenting a Dr. Huey or two.

dr huey tour

Tim and Laurie documenting Dr. Huey

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05/4/15
morning in the roses

Morning in the Roses

Morning in the Roses

Morning in the roses, especially when they are at the peak of spring bloom, is such a refreshing start to the day. I thought I would share a bit of my morning walk with you.

roses

A Variety of Roses

Blooms in this image are the floribundas ‘Chihuly,’ ‘Marmalade Skies,’ ‘Dream Weaver,’ and the shrub, ‘Flower Girl.’

This next image shows the hybrid tea, ‘Veterans’ Honor,’ one of my favorite reds.

morning in the roses

‘Veterans’ Honor’

My neighbors and I share a wall of climbers. In this image, on my side, you see ‘Royal Sunset’ and ‘Fourth of July.’ They have ‘Eden,’ ‘Climbing Peace,’ ‘Don Juan,’ and ‘Royal Sunset.’ It is very nice to have neighbors with such a wall of blooms!

morning in the roses

On my side, ‘Royal Sunset’ and ‘Fourth of July’

Our winter here in the high desert was so warm this year, that spring bloom has reached it peak quite early. I have enjoyed it immensely, of course.

The Albuquerque rose show is the last weekend of May this year. The early bloom may affect the number of blooms entered, although perhaps people in cooler areas (here in Albuquerque, as well as in Santa Fe) may have more blooms than usual to enter.

The blooms are certainly enjoyable now!

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05/3/15
Floribunda marmalade skies

Floribunda Marmalade Skies

Floribunda Marmalade Skies

The floribunda ‘Marmalade Skies’ is a real eye-catcher in the garden. Its bright orange color screams for recognition, even from a distance.

This rose is capable of making large sprays, but at the moments, it is producing solitary blooms. The blooms of this floribunda can have close to exhibition, for a brief period of time. This is when the color is most intense.

Floribunda Marmalade Skies

‘Marmalade Skies’ with close to exhibition form

The blooms can open fully within a day. This image was taken during Golden Hour, and the orange of the fully open bloom seem almost fluorescent.

Floribunda marmalade skies

Fully Open ‘Marmalade Skies’

Rose people generally focus a lot on the stamens of a fully open rose to assess its freshness (in a rose show). The stamens of this very fresh fully open ‘Marmalade Skies are not spectacular. But I was struck by the beauty of the stigmas and red styles of this rose. I have had this rose for some time, but had never really paid much attention to this. I am glad I noticed it this year!

Floribunda marmalade skies

Stamens, stigmas, and styles of fully open ‘Marmalade Skies’

This rose lives happily in the high desert and Albuquerque area, and, once established, requires very little water. It can be a show stopper in the garden, and is a useful rose for arrangements.

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